Revisiting antlers in decor

 In 2014 I wrote a post about the popularity of antlers in home design:  I had reservations about their overuse.  Whenever anything becomes too popular I am automatically reticent about employing the trend in my own home or  the homes of clients.  I decided there was a middle ground when it  comes to using antlers in an interesting way  as described in my initial post.

My antler gift finally moved indoors this summer once I decided it was suitably bleached.  The other one  was left in the flower bed.   Once moved inside it took up a  nomadic existence as you can see from the photos below.  You never knew where it would turn up.

 

On the trunk in the living room for an evening of company when you want some ambiance.  The antler served as a place holder for the remote start candles.  I love this invention;  they flicker like real candles, smell like real candles and you don't have to worry about fire.  Thanks Costco!

Or on the dining table if you want to use the the trunk for food or drinks.

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as part of a console table vignette.

Our summer place was featured  in a local design magazine called Home and Cabin.  I needed an organic shape to add dimension to  a  vignette I created for the shoot.  My antler was perfect in scale and form.  It almost looks like writing and relates well to the other collected items on the tabletop. 

And when not in use, it resides on the floor in the corner  ready and willing to leap into service when called upon. 

I saw this  Fall application today on Pinterest and it gave me a new idea for Christmas.  Guess I'll be dragging antlers to my city home next month! This works so well because everything is bleached even the table top.  Did I mention I love bleached wood? 

Perhaps you have an antler in your life and have ideas for  its use.  I would love to hear from you. 

Thrifty decor: Bring on the green

Do you like a little nature inside your home?

Do you love to find something that looks good and costs little or nothing?

Do you like quick  pops of texture and colour ?

Barnacle vessel by Anita Singh

Then think ferns.  Wild ones, the ones you see growing in the woods or other damp places.  They are  a constant in my summer decor mostly because I don't have ready access to cultivated options and also because I love to create interest and a homey, nature inspired look without spending money.


Living on the edge of the ocean, in a meadow with thick woods behind me is the perfect spot for foraging for bargain accents.   I often combine sea related objects, some found and others hand crafted.

Another trick I use is to continually move around objects I have to create new looks.  My summer place is small and there isn't a lot of storage for "accessories".  The candle replaced the sculptured vessel in the photo  above.   

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 Then an old oil lamp replaced the candle.  So three objects different heights, different textures and different shapes is a simple formula for display.  Another trick is to mimic the shape of the table in one or more of the objects.  The circle is repeated a number of times in this vignette.

As the ferns started to wilt,  I removed them and cut some grasses and alder leaves to flesh out the display and moved it to another spot.  Leading the viewer's eye is another great trick to use for simple displays.  Your eye pops from the rope ball, to the bouy and then through to the ferns and lamp.  Again I have different textures, heights and shapes.  The added texture of the lamp base and the table creates a very inviting vignette.  

If you don't have a meadow or woods near you buying several ferns at the florist has the same effect.

Do you have a favourite go to wild plant to use in your  arrangements?

Designing an inviting home

Have you ever gone into someone's home  and it was so perfect in every way that you were almost afraid to sit down or move?

When everything looks new, co-ordinated and just so, you end up with an unwelcoming and often boring home.   Such spaces can make visitors feel confined and uncomfortable.  Nothing invites you in because when  everything is  perfectly matched objects become a blur.

 Is there a middle road?

What makes an interesting  and inviting space? Do you need a large budget to have a great home?

Fortunately you can have a very interesting space on a modest budget.  It just takes a little ingenuity.  As with most things in home decor what someone finds interesting  or inviting is dependent on their likes and dislikes;  I can only write about what I find interesting in a space.  Here are some of the characteristics I think   create interesting spaces.

It has a collected feel

That simply means that the home has objects that have been acquired over time and in different ways.   It could be objects collected from travels, antiques, personal items,  family heirlooms, original art etc.  The space does not look like you went out to several stores on one day and outfitted the place. It definitely does not look like a model home!

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The rooms are arranged for conversation

Nothing is as bad as going to someone's home and not feeling like you are meant to be there.  You can have that feeling for many reasons, but  it often boils down to not feeling part of the conversation or not having a comfortable place to sit or lay down a beverage.

I would love to spend an evening here chatting with friends.

 

There's a mix of old and new

Pristine is not that interesting.  Often when everything is new you don't appreciate any of it.  You need a yardstick against which you can appreciate the newness, and that means having some things that are older.  Another great thing about  old pieces is the sense of history and intrigue they create.  Visitors are left wondering why the pieces are so important that you've decided to keep them.  If you like very contemporary or modern decor, there is still a place to add interesting objects with a history.

Briggs and Solomon 

There's a mix of hand crafted and manufactured products 

In our world of mass production, it is so easy to forget the importance of the marks left by the hands of an artist and the presence of ideas in objects.  Having  art, fine craft and the hand made is like having a whole pile of interesting people over at one time.  There is a merging of ideas and various takes on the natural and man made world. Then there's the one of a kind aspect.

Designing Home/Margaret Ryall

Everything in this space is hand made by various artists.   Even the plant was grown locally.

The natural world is referenced  

Designing Home/Margaret Ryall

This unique vessel titled Barnacle by Anita Singh plays nicely with the glass bowl of sea urchins and wild ferns.  The nautilus design on the pillow supports the overall outdoorsy theme in this casual summer house.  The table in the photo above can be seen in the background. 

 Accessories are moved/changed 

Designing Home/Margaret Ryall

Another week and a different  wild flower arrangement  and vessel by Anita Singh on the little  hand painted table.  The objects and flowers add colour, texture and variety in forms to the vignette.  A painting by a local artist peeks out behind the chair, something new to be discovered.  Candles are always inviting. 

Thought has been given to space planning 

The room is arranged as well as it can be given the space available.  The layout is conducive to flow through the space.  There is an obvious visual flow as well as  defined traffic lanes.  There's variety in heights of objects and  textures. Even a monochromatic colour scheme needs contrast.

 Designing Home

There are surprises to be discovered

I love a bit of the unexpected.   There are all kinds of ways to achieve this.  It could be a colour that you might not think about pairing with your colour scheme.  It could be an a family heirloom, some of your child's artwork scanned and made into a book, a vase you made in high school art, the work of a friend,  a display of framed post cards from trips you've taken arranged in a grid, a piece of furniture in a place where you wouldn't expect to see it, etc.  The sky is the limit.

How pleasant these doilies look backed with blue and enclosed with white frames .  Such a great way to display family heirlooms.

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 I am intrigued by the chain hanging from the candlestick.  Does it have significance to the homeowner? Did a visitor drop it and it's placed here to keep it safe?  Did the homeowner change her mind just before going out?

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 Each piece has its own compartment that acts like a mini frame.  Together there is coherency in the pieces and it is very pleasing to the eye.  My favourite is the white doll.  Where did that come from?

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And why not end with glowing forsythia, bold in scale and vivid in colour? The arrangement look so great in front of a simple, repetitive composition of fish. 

What tricks do you use to create an inviting home?

Arranging vignettes: Do you know your design letters?

 Are you challenged when it comes to arranging  accessories? Do you look at details in  decorating magazines and marvel at how everything  looks just right? Many people think the final touches are the most difficult part of home decor, but they don't have to be.  There are all kinds of tips and tricks of the trade. 

One of the simplest design tips I can offer is the use  of  letter formations to organize interesting accessory vignettes. I'm calling on my background in visual art and floral arrangement to offer you this advice.  Other decorators may have different ways of describing their approach. 

The most useful letters for designing vignettes are ....  A, V,  O, C, L, and M.  

Here goes...

A

Niche Interiors

This is a very tight A line of design.  The visual height is always through the middle and the base is wider, but the bottom width can vary.  My eye wants to see something slightly taller than the dish - a sphere  would be lovely here. Perhaps the owner is like me,  always looking for just the right object to finish a room.

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Another A with a tall vertical.  Because this is a monochromatic scheme the overall A shape is more evident.  Are you noticing how the height is usually a piece of art?  It  could also be a sculpture, a mirror,  a  tall vase of twigs or flowers or photos hung on the wall.  The base can also  be much wider and the height much less than these examples. 

V 

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The reverse of A is V. In a V the lowest point is usually in the middle of the arrangement.  Sometimes thinking about it as a check mark is helpful because one side is usually taller and one is shorter.  A V line of design doesn't  have the height through the middle that an A line of design does. Sometimes only these two shapes are presented in vignette discussions, but there are so many more ways to think about it.  

C

 Lucid Interior Design Inc.

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 You don't often find C lines of design and they are the most obvious when there's only one object banked by something that is circular as with the mirror and twigs.  Your eye just wants to make that sweep.  But sometimes it is the placement of objects that creates a C sweep with the largest object placed at the beginning of the C as in the photo above. 


 o

 Joni Spear Interior Design

 Some designers may argue this is a classic V formation but I would disagree because the mirror causes the eye to move in a circular fashion around the display.  The lamps are taken in with that sweep.

 

 Rachel Reider Interiors

 Another  symmetrical O line of design.  The base is set so broadly that your eye just wants to do the circular movement around the objects. The three rounded shapes  add to the circular movement.  

Another very strong O line of design.  It is even more obvious when you have a narrow base. 


L 

  CNW PRODUCTION

Urrutia Design


The requirement for an L line of design is a very tall object placed on the edge of the design with a broad base.  Of course you can also reverse the L.  If the hurricanes were taller I would call the  vignette above a V. 

M

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You don't often see the M line of design used, but it works well when you are displaying collections where you have several heights with dips in the middle and you start with shorter objects on the ends.  

W 

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If the shorter objects are on either end it is an M, but when you start with taller objects on the ends and it is also high in the middle  it moves into a W.  

What line of design do these vignettes follow? 

1.

2.

3.

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1.This is  an A because of the wide base and the tall height through the middle. 

2.  Whenever you see a  lot of objects of similar heights spread out and starting and ending with a shorter object it is an M.  The more objects there are it can turn into a long zig zag of Ms. 

3.  Oh so tricky.  Without the curved object to the right it would be an O line of design, but your eye stops on it making it  a C. 

 

And there you have it.   Keep your eyes open when you see arrangements and observe the  lines of design  used. Then start arranging! 

Accessorizing: Learning from a pro - Vicente Wolf

Part 4 of 4 Accessorizing your home

I am intrigued by the designs of Vicente Wolf.   I've studied them as I study compositions by famous artists  in an effort to dissect  the lines of design, and the thought processes he engages in as he creates beautiful spaces.  In my opinion a good  design never looks too put together, too matched, but has  an effortless, collected feel. His always do.

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Pale backdrops  and a mix of antiques and cultural artifacts are his trademarks, but there is so much more to his designs.  When you observe his work closely you find that there are design features he is drawn to that get repeated in variations in different spaces.  While each space is unique, you can see similarities in  his choice and arrangement of objects.

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His background in photography obviously informs  his interior design aesthetic or maybe it's the other way around.  When I look at any space he has created, I see so many compositions within compositions, layers that cause you to look throughout his spaces.  I am  also sure they are photographed  to make you do just that.


The artist in me is attracted to how he organizes random objects into vignettes (object compositions).  So after much viewing, thought, and reading, here's what I've learned from this brilliant, self-taught, New York designer.

Repeat  still life elements

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Wolf  often uses a painting to inform a vignette created near it.  Elements are repeated from the artwork as in the tree and scrubby plants  in the tray.The three candles mimic the strong vertical in the left of the painting and there's really three table tops- one in the art, the table itself, and the tray on the table.

Layer furniture

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Not only is layering furniture a way to deal with limited space and provide versatility to meet various entertaining needs, it is also an effective strategy  to  provide visual interest and a focal point in an otherwise simple space. I like how the  large ottoman (often a signature piece for Wolf) is the only pattern in the room.  It is also a way to move  circular shapes around  an otherwise rectangular space.

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Another idea for layering a table and an ottoman. Circular motifs play in this space too.  Have you noticed the use of higher tables? 

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Circular motifs and layering under a bedside table.  The textural and geometric  elements of  pieced or woven wooden elements are also prominent as you can see below. 

Use texture and geometry in wood

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Sometimes these effects are used over mirror to create intricacy and depth. 

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Suspend mirrors/art  in space

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 Frame  compositions in compositions 

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This vignette illustrates  how to organize objects and frame them with what lies behind.  In this case the fireplace frames the vignette in front of it.  I also love how the mirror acts as an additional backdrop element in this vignette.

I'll finish with an important observation.  While I have highlighted some of the common themes I see in Wolf's designs I do not feel that his spaces are all the same.  He obviously feels it's important to work with clients to create personal spaces for them.  When you look at the slideshows on his website this is very apparent.  As he notes in Lifting the Curtain on Design (one of my favourite design books of all time)  page 128, " I know how to paddle a canoe.  But I approach each river in a different way"



If you're intrigued check out this interview done by Canadian House and Home.

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And here's a great read  if you like the glimpse I've given you of this designer's work.  

Floating shelves, mixed chair styles,  limited patterns, repeating shapes and so much more not covered here.  I am limiting myself severely on this topic because I would break my self imposed post length rule. 

Feel free to add your comments to keep the conversation going.